Bring to the Christ Your Fears in Tonic Solfa

Bring to the Christ Your Fears in Tonic Solfa to QUAM DILECTA, doh is F: the solfa with the words, staff notation, 6 verses and a piano.

The solfa with the words

Doh is F4/4
mBring-fto-mthe-mChrist-ryour-dfears,-----sAnd-
ltell-myour-rsor--drows-rthere,-----rThe-
mfain--stest-scry-lhe-shears,-----rAnd-
mev--fery-mfal---rteringdprayer;-----

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Key
F major
Doh
F
Time
4/4
Starts on
m (A)
Range
d to l (F to D, a sixth)
Tune
QUAM DILECTA
Words
Traditional Greek, John Brownlie
Music
Henry Lascelles Jenner

Tune QUAM DILECTA by Henry Lascelles Jenner (1820–1898); words by Traditional Greek; translated by John Brownlie (1857–1925). Sources and licences.

The solfa line by line

The same solfa as plain text, a line of the hymn at a time, with the words of the first verse under it — easy to copy into your own notes or a message to the choir. To print it, download the solfa as a PDF.

Doh is F · 4/4

| m - Bring| f - m - m - r - to the Christ your| d - - - - - s - |fears, And
| l - m - r - d - tell your sorrows| r - - - - - r - |there, The
| m - s - s - l - faintest cry he| s - - - - - r - |hears, And
| m - f - m - - r every faltering| d - - - - - |prayer;

Staff notation

The melody on the treble staff in F major, with the first verse under the notes.

The words

Bring to the Christ your fears,
And tell your sorrows there,
The faintest cry he hears,
And every faltering prayer;

With thought of sin opprest,
Does conscience smite thee sore?
There is a place of rest,
Where sin afflicts no more;

Think you of former bliss,
Of happier, sunnier hours,
When fragrant joys you miss,
Bestrewed your path like flowers?

Mourn you a heart estranged,
Once kind, but now grown cold?
A happy friendship changed,
Now that the years are old?

Is there an empty room
Where silence broods alone,
All curtained round with gloom,
Where once the sunlight shone?

Bring then to Christ your fears,
And tell your sorrows there,
The faintest cry He hears,
And every faltering prayer;

How to sing it from the solfa

  • Find doh first. Play or hum F and sing d r m f s up from it, so the whole choir has the key in their ears before you start.
  • Pitch the first note. The tune starts on m (A), on the word “Bring”, as a pickup before the first full bar.
  • Count the time. 4/4 means four crotchet beats in each bar. In the grid every cell is half a crotchet: a dash (–) holds the note before it, and _ is a rest.
  • Know the notes. The tune uses d r m f s l. A comma after a note (s,) is the octave below; an apostrophe (d') is the octave above.

New to solfa? Read how to read Tonic Solfa and how to find the doh of a song.

About the hymn

John Brownlie translated these words from the Greek service books for Hymns from the Morningland (Paisley, 1911).

The book printed the words without tunes. They are in Sixes (6.6.6.6), and this page sets them to QUAM DILECTA; any other Sixes tune fits them as well.

Tune QUAM DILECTA by Henry Lascelles Jenner (1820–1898); words by Traditional Greek; translated by John Brownlie (1857–1925).

Sung to the same tune: Because I Was Brought Low, Come, Mortals, Come Behold, Even as Thou Said'st, O Christ, Formed in Thine Image Bright, Gone Are the Shades of Night, Hark! Through the Waking Earth, Let All the World Abroad, The God Who Reigns Alone, The Saffron Tints Appear.

Questions about Bring to the Christ Your Fears

What is the doh of Bring to the Christ Your Fears?

In this version, in F major, doh is F. If your choir sings it in another key, doh moves to the new key note and every solfa syllable stays the same — that is what movable doh means.

What note does Bring to the Christ Your Fears start on?

It starts on m (A in F major), a pickup on the word “Bring” before the first full bar. Find doh first, then sing up or down to m.

Is Bring to the Christ Your Fears in the public domain?

Yes. John Brownlie died in 1925, Henry Lascelles Jenner died in 1898; the words were in print by 1911 and the music in 1861. Everyone named died before 1955 and both were published before 1929, so the hymn is out of copyright in the UK, the EU, the United States and Nigeria. Modern arrangements and translations can still be under copyright.

More by John Brownlie

Everything by John Brownlie (176 hymns)

More by Henry Lascelles Jenner

Everything by Henry Lascelles Jenner (10 hymns and 1 hymn tune)