Cross, Reproach, and Tribulation in Tonic Solfa
Cross, Reproach, and Tribulation in Tonic Solfa to OMNI DIE, doh is F: the solfa with the words, staff notation, 4 verses and a piano.
The solfa with the words
| dCross,-dre-- | rproach,---dand---mtri--sbu-- | fla----mtion,---dYe-rto- |
| mme-sare-swel----fecome--- | sguests,-------sWhen-sI- |
| lhave---sthis---fcon--msol-- | ra----mtion,---dThat-rmy- |
| msoul-fin-rJe------dsus- | drests.------- |
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Download the solfa (PDF)A4, free to print and share with your choir
- Key
- F major
- Doh
- F
- Time
- 6/4
- Starts on
- d (F)
- Range
- d to l (F to D, a sixth)
- Tune
- OMNI DIE
- Words
- Anonymous
- Music
- Gesangbuch, Corner
Tune OMNI DIE (Gesangbuch, Corner); words by Anonymous. Sources and licences.
The solfa line by line
The same solfa as plain text, a line of the hymn at a time, with the words of the first verse under it — easy to copy into your own notes or a message to the choir. To print it, download the solfa as a PDF.
Doh is F · 6/4
Staff notation
The melody on the treble staff in F major, with the first verse under the notes.
The staff is drawn here when you scroll to it.
The words
Cross, reproach, and tribulation,
Ye to me are welcome guests,
When I have this consolation,
That my soul in Jesus rests.
The reproach of Christ is glorious;
Those who here his burden bear
In the end shall prove victorious,
And eternal gladness share.
Bear then the reproach of Jesus,
Ye who live a life of faith!
Lift triumphant songs and praises,
Even in martyrdom and death.
Bonds and stripes, and evil story,
Are our honorable crowns;
Pain is peace, and shame is glory,
Gloomy dungeons are as thrones.
How to sing it from the solfa
- Find doh first. Play or hum F and sing d r m f s up from it, so the whole choir has the key in their ears before you start.
- Pitch the first note. The tune starts on d (F), on the word “Cross”, as a pickup before the first full bar.
- Count the time. 6/4 means six crotchet beats (two dotted minims) in each bar. In the grid every cell is half a crotchet: a dash (–) holds the note before it, and _ is a rest.
- Know the notes. The tune uses d r m f s l and the chromatic fe. A comma after a note (s,) is the octave below; an apostrophe (d') is the octave above.
New to solfa? Read how to read Tonic Solfa and how to find the doh of a song.
About the hymn
These words were printed without an author's name in the supplement of the 1866 edition of A Book of Hymns for Public and Private Devotion, compiled by Samuel Longfellow and Samuel Johnson (Boston, 1866), as hymn 535, “Bearing the Reproach of Christ”, where the book credits them to a Moravian source.
The book printed the words without tunes, marked Eights and Sevens (8.7.8.7), to be sung to any tune of that metre. This page sets them to OMNI DIE; any other Eights and Sevens tune fits them as well.
- Words: Anonymous
- Melody (1631): Gesangbuch, Corner
Tune OMNI DIE (Gesangbuch, Corner); words by Anonymous.
Sung to the same tune: "Come Who Will," the Voice from Heaven, Christ, for Thee a Wreath Adorning, Father, Breathe an Evening Blessing, Go in Peace! — Serene Dismission, Jesus, Thou Art Mine Forever, O Thou Sun of Glorious Splendor, Part in Peace! Is Day Before Us, Pastor, Thou Art from Us Taken, Praise to Thee, Thou Great Creator, We Have Heard the Wondrous Story, Where the Lord Reveals His Presence.
Questions about Cross, Reproach, and Tribulation
What is the doh of Cross, Reproach, and Tribulation?
In this version, in F major, doh is F. If your choir sings it in another key, doh moves to the new key note and every solfa syllable stays the same — that is what movable doh means.
What note does Cross, Reproach, and Tribulation start on?
It starts on d (F in F major), a pickup on the word “Cross” before the first full bar. Find doh first, then sing up or down to d.
Is Cross, Reproach, and Tribulation in the public domain?
Yes. the words were in print by 1866 and the music in 1631. Everyone named died before 1955 and both were published before 1929, so the hymn is out of copyright in the UK, the EU, the United States and Nigeria. Modern arrangements and translations can still be under copyright.