I Brought My Darkest Sin to Mind in Tonic Solfa

I Brought My Darkest Sin to Mind in Tonic Solfa to SELENA, doh is Ab: the solfa with the words, staff notation, 4 verses and a piano.

The solfa with the words

Doh is Ab3/2
sI-sbrought-smy-ldark------sest-ssin-feto-smind,-----tAnd-tcalled-d'it-
r'by-----d'the-d'vi--tlest-d'name,-----sAnd-sthought-sto-
lfill-----smy-ssoul-fewith-sgrief,-----tWhen-tI-d'had-
r'charged-----d'it-d'with-tthe-d'blame;-----m'I-m'said,-m'"Be--
f'fore-----m'my-r'God-d'I'll-lfall,"-----lBut-lsor--lrow-
scame-snot-sat---smy---scall.-----

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Key
Ab major
Doh
Ab
Time
3/2
Starts on
s (E♭)
Range
fe to f' (E𝄫 to D♭, a seventh)
Tune
SELENA
Words
Traditional Greek, John Brownlie
Music
Isaac B. Woodbury

Tune SELENA by Isaac B. Woodbury (1819–1858); words by Traditional Greek; translated by John Brownlie (1857–1925). Sources and licences.

The solfa line by line

The same solfa as plain text, a line of the hymn at a time, with the words of the first verse under it — easy to copy into your own notes or a message to the choir. To print it, download the solfa as a PDF.

Doh is Ab · 3/2

| s - s - s - I brought my| l - - - - - s - s - fe - darkest sin to| s - - - - - t - t - d' - |mind, And called it
| r' - - - - - d' - d' - t - by the vilest| d' - - - - - s - s - s - |name, And thought to
| l - - - - - s - s - fe - fill my soul with| s - - - - - t - t - d' - |grief, When I had
| r' - - - - - d' - d' - t - charged it with the| d' - - - - - m' - m' - m' - |blame; I said, "Be-
| f' - - - - - m' - r' - d' - fore my God I'll| l - - - - - l - l - l - |fall," But sorrow
| s - s - s - - - s - - - came not at my| s - - - - - |call.

Staff notation

The melody on the treble staff in Ab major, with the first verse under the notes.

The words

I brought my darkest sin to mind,
And called it by the vilest name,
And thought to fill my soul with grief,
When I had charged it with the blame; —
I said, "Before my God I'll fall,"
But sorrow came not at my call.

I said, "Ah, soul! the wrath of God
Shall smite the sinner with dismay,
The record of thy sin is kept,
And swiftly nears the reckoning day;" —
Methought I heard God's thunders roll,
But sorrow came not to my soul.

"Ah, stony heart! can thought of sin
In all its vileness bring no tears?
And canst thou hear God's thunders speak,
And weep not though the reckoning nears?"
I had no weeping to control,
For sorrow came not to my soul.

I looked, my Saviour looked at me,
O look of love no heart can bear!
Like raging torrents came my tears,
And plunged my spirit in despair;
Vain, vain my weeping to control,
For sorrow now hath found my soul.

How to sing it from the solfa

  • Find doh first. Play or hum Ab and sing d r m f s up from it, so the whole choir has the key in their ears before you start.
  • Pitch the first note. The tune starts on s (E♭), on the word “I”, as a pickup before the first full bar.
  • Count the time. 3/2 means three minim beats in each bar. In the grid every cell is half a crotchet: a dash (–) holds the note before it, and _ is a rest.
  • Know the notes. The tune uses d r m f s l t and the chromatic fe. A comma after a note (s,) is the octave below; an apostrophe (d') is the octave above.

New to solfa? Read how to read Tonic Solfa and how to find the doh of a song.

About the hymn

John Brownlie translated these words from the Greek service books for Hymns from the Greek Office Books (Paisley, 1904).

The book printed the words without tunes. They are in Long Metre, six lines (8.8.8.8.8.8), and this page sets them to SELENA; any other Long Metre, six lines tune fits them as well.

Tune SELENA by Isaac B. Woodbury (1819–1858); words by Traditional Greek; translated by John Brownlie (1857–1925).

Sung to the same tune: Above, Below, Where'er I Gaze, Afflicted by a Gracious God, All Things Are Possible to Him, Around Bethesda's Healing Wave, Behold the Servant of the Lord, Blest Who with Generous Pity Glows, Captain of Our Salvation, Take, Come, O Thou Universal Good, Creator Spirit, by Whose Light, Father of Everlasting, Grace, Father of Lights, from Whom Proceeds, God Sent Me to the Desert Wild, Hark! upon the Morning Breezes, I Brought My Merits to the Throne, I Praised the Earth in Beauty Seen, I Sought the Lord at Early Morn, If Listening, as I Listen Still, Jesu, If Still the Same Thou Art, Jesus, Thou Source of Calm Repose, Join, All Ye Servants of the Lord, Lord of the Sea! — Thy Potent Sway, O 'Tis Enough, My God, My God, O Come, Thou Radiant Morning Star, O Let My Trembling Soul Be Still, O Lord of Bounty, Let This Bread, O Lord, Whose Bounteous Hand Again, O Love, I Languish at Thy Stay, O Thou Whom Fain My Soul Would Love, O Thou, in Whom the Weary Find, Our Earth We Now Lament to See, Peace, Troubled Soul, Whose Plaintive Moan, Strange and Mysterious Is My Life, The Heavens, O Lord! Thy Power Proclaim, The Promise Which the Saviour Made, Thou God Unsearchable, Unknown, Thou Hidden Source of Calm Repose, Thou, Lord, on Whom I Still Depend, To Thee, My God! to Thee I Bring, Unless the Lord Had Been My Stay, Watched by the World's Malignant Eye, Weary of Wandering from My God, What Must It Be to Dwell Above, What Shall I Do My God to Love, When Quiet in My House I Sit, When Streaming from the Eastern Skies, When Thou Wert Crucified by Men, Would Jesus Have the Sinner Die.

Questions about I Brought My Darkest Sin to Mind

What is the doh of I Brought My Darkest Sin to Mind?

In this version, in Ab major, doh is Ab. If your choir sings it in another key, doh moves to the new key note and every solfa syllable stays the same — that is what movable doh means.

What note does I Brought My Darkest Sin to Mind start on?

It starts on s (E♭ in Ab major), a pickup on the word “I” before the first full bar. Find doh first, then sing up or down to s.

Is I Brought My Darkest Sin to Mind in the public domain?

Yes. John Brownlie died in 1925, Isaac B. Woodbury died in 1858; the words were in print by 1904 and the music in 1850. Everyone named died before 1955 and both were published before 1929, so the hymn is out of copyright in the UK, the EU, the United States and Nigeria. Modern arrangements and translations can still be under copyright.

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