God of My Childhood and My Youth in Tonic Solfa
God of My Childhood and My Youth in Tonic Solfa to ST. FLAVIAN, doh is F: the solfa with the words, staff notation, 8 verses and a piano.
The solfa with the words
| dGod- | dof-t,my-dchild--mhood- | rand-rmy-dyouth,-dThe- |
| fguide-mof-dall-rmy- | mdays,-----mI- |
| mhave-fde--sclar'd-mthy- | dheav--renly-mtruth,-mAnd- |
| rtold-dthy-dwon--t,drous- | dways.----- |
Got your choir's recording? Get it in solfa →
Download the solfa (PDF)A4, free to print and share with your choir
- Key
- F major
- Doh
- F
- Time
- 4/4
- Starts on
- d (F)
- Range
- t, to s (E to C, a sixth)
- Tune
- ST. FLAVIAN
- Words
- Isaac Watts
- Music
- From Day's Psalter, 1563
Melody from the Open Hymnal Project (public domain), edited by Brian J. Dumont; tune ST. FLAVIAN (From Day's Psalter, 1563); words by Isaac Watts (1674–1748). Sources and licences.
The solfa line by line
The same solfa as plain text, a line of the hymn at a time, with the words of the first verse under it — easy to copy into your own notes or a message to the choir. To print it, download the solfa as a PDF.
Doh is F · 4/4
Staff notation
The melody on the treble staff in F major, with the first verse under the notes.
The staff is drawn here when you scroll to it.
The words
God of my childhood and my youth,
The guide of all my days,
I have declar'd thy heavenly truth,
And told thy wondrous ways.
Wilt thou forsake my hoary hairs,
And leave my fainting heart?
Who shall sustain my sinking years
If God my strength depart?
Let me thy power and truth proclaim
To the surviving age,
And leave a savour of thy Name
When I shall quit the stage.
The land of silence and of death
Attends my next remove;
O may these poor remains of breath
Teach the wide world thy love.
Thy righteousness is deep and high,
Unsearchable thy deeds;
Thy glory spreads beyond the sky,
And all my praise exceeds.
Oft have I heard thy threatenings roar,
And oft endur'd the grief;
But when thy hand has press'd me sore,
Thy grace was my relief.
By long experience have I known
Thy sovereign power to save;
At thy command I venture down
Securely to the grave.
When I lie buried deep in dust,
My flesh shall be thy care
These withering limbs with thee I trust
To raise them strong and fair.
How to sing it from the solfa
- Find doh first. Play or hum F and sing d r m f s up from it, so the whole choir has the key in their ears before you start.
- Pitch the first note. The tune starts on d (F), on the word “God”, as a pickup before the first full bar.
- Count the time. 4/4 means four crotchet beats in each bar. In the grid every cell is half a crotchet: a dash (–) holds the note before it, and _ is a rest.
- Know the notes. The tune uses d r m f s t. A comma after a note (s,) is the octave below; an apostrophe (d') is the octave above.
New to solfa? Read how to read Tonic Solfa and how to find the doh of a song.
About the hymn
Isaac Watts wrote these words for The Psalms of David Imitated in the Language of the New Testament (1719): Psalm 71, part 3, headed “The aged Christian's prayer and song; or, Old age, death, and the resurrection”.
Watts' psalms were printed without tunes and sung to any tune of their metre, Common Metre (8.6.8.6). This page sets the words to ST. FLAVIAN; any other Common Metre tune fits them as well.
- Words (1719): Isaac Watts (1674–1748)
- Melody (1563): From Day's Psalter, 1563
Melody from the Open Hymnal Project (public domain), edited by Brian J. Dumont; tune ST. FLAVIAN (From Day's Psalter, 1563); words by Isaac Watts (1674–1748). The Open Hymnal Project publishes this tune as public domain; NoteFusion's engine wrote the solfa from its notes. The melody has not yet been checked against a printed hymn book.
Sung to the same tune: 'Twas God Who Fixed the Rolling Spheres, "How Awful Is Thy Chastening Rod!", "Now from the Roaring Lion's Rage, "O, Not for These Alone I Pray,", "To God Be Glory! Peace on Earth!", "Yet (Saith the Lord) If David's Race, A Holy Air Is Breathing Round, A Soldier's Course, from Battles Won, Afflictions, Though They Seem Severe, Again Our Earthly Cares We Leave, All Ye That Love the Lord, Rejoice, Am I a Soldier of the Cross, Amidst Thy Wrath Remember Love, And Are We Wretches Yet Alive, Arise My Soul, My Joyful Powers, Baptized into Our Saviour's Death, Bear on, My Soul! the Bitter Cross, Behold My Servant; See Him Rise, Behold the Savior of Mankind, Behold, Where, in a Mortal Form, Beneath Our Feet and O'er Our Head, Beneath the Tyrant Satan's Yoke, Blest Are the Souls That Hear and Know, Come Let Us Lift Our Voices High, Faith, Hope, and Love, Now Dwell on Earth, Father in Heaven, to Whom Our Hearts, Father of All! in Every Age, Fear Was Within the Tossing Bark, From Every Fear and Doubt, O Lord, Give Thanks to God, Invoke His Name, Glory to God! Whose Witness-train, God Is a Spirit Just and Wise, God My Supporter and My Hope, God of Our Mercy and Our Praise, Great Ruler of All Nature's Frame, Hail! Holy, Holy, Holy Lord, Heal Us, Emmanuel, Here We Are, Hear Me, O God, nor Hide Thy Face, How David, When by Sin Deceived, How Precious Is the Book Divine, How Sweet and Awful Is the Place, How Wond'rous Great, How Glorious Bright, I Hate the Tempter and His Charms, I Sing My Saviour's Wondrous Death, In the Soft Season of Thy Youth, Jesu, the Life, the Truth, the Way, Jesu, the Word of Mercy Give, Jesus, My Lord, I Cry to Thee, Jesus, with All Thy Saints Above, Let Zion and Her Sons Rejoice, Lo the Destroying Angel Flies, Lord Who Throughout These Forty Days, Lord, I Have Made Thy Word My Choice, Lord, in Whose Might the Saviour Trod, Lord, We Have Heard Thy Works of Old, Lord! Thou Art Good: All Nature Shows, Lord! We Believe a Rest Remains, My God, My Everlasting Hope, My God, My Portion, and My Love, My God, What Endless Pleasures Dwell, Nay, Tell Us Not of Dangers Dire, Not All the Outward Forms on Earth, Not for the Summer's Hour Alone, Not in the Church-yard Shall He Sleep, Now Shall My Solemn Vows Be Paid, O for an Overcoming Faith, O Jesus, King Most Wonderful, O Lord, Our Languid Souls Inspire, O Thou, to Whom All Creatures Bow, O, I Shall Envy Them No More, Of Justice and of Grace I Sing, Our Country Is Immanuel's Ground, Our Fathers, Lord, to Seek a Spot, Praise Ye the Lord; on Every Height, Rejoice, Believer, in the Lord, Sing, All Ye Nations, to the Lord, Speak Gently, — It Is Better Far, Summoned My Labour to Renew, Sweet Day! So Cool, So Calm, So Bright, Sweet Is the Prayer Whose Holy Stream, Ten Thousand Talents Once I Owed, The Dead Are Like the Stars by Day, The Lord, Descending from Above, The Prophets Sons, in Time of Old, The True Messiah Now Appears, There Is a Book, Who Runs May Read, Thou Son of God, Whose Flaming Eyes, Thus I Resolv'd Before the Lord, Thy Ceaseless, Unexhausted Love, Thy Message, by the Preacher, Seal, Thy Way Is on the Deep, O Lord, Time! What an Empty Vapor 'Tis, To Our Redeemer’s Glorious Name, When Christ to Judgment Shall Descend, When Israel Was from Egypt Freed, When Peter Boasted, Soon He Fell, When the Great Judge, Supreme and Just, When the Worn Spirit Wants Repose, Whence Do Our Mournful Thoughts Arise, Why Do the Wealthy Wicked Boast, With Songs and Honors Sounding Loud, Ye Saints Exult with Cheerful Song, Ye Sons of Earth Prepare the Plow, Ye Trembling Souls, Dismiss Your Fears, Ye Wretched, Hungry, Starving Poor, Zion! the City of Our God.
Questions about God of My Childhood and My Youth
What is the doh of God of My Childhood and My Youth?
In this version, in F major, doh is F. If your choir sings it in another key, doh moves to the new key note and every solfa syllable stays the same — that is what movable doh means.
What note does God of My Childhood and My Youth start on?
It starts on d (F in F major), a pickup on the word “God” before the first full bar. Find doh first, then sing up or down to d.
Is God of My Childhood and My Youth in the public domain?
Yes. Isaac Watts died in 1748; the words were first published in 1719 and the music in 1563. Everyone named died before 1955 and both were published before 1929, so the hymn is out of copyright in the UK, the EU, the United States and Nigeria. Modern arrangements and translations can still be under copyright.