Lord, We Have Heard Thy Works of Old in Tonic Solfa
Lord, We Have Heard Thy Works of Old in Tonic Solfa to ST. FLAVIAN, doh is F: the solfa with the words, staff notation, 11 verses and a piano.
The solfa with the words
| dLord,- | dwe-t,have-dheard-mthy- | rworks-rof-dold,-dThy- |
| fworks-mof-dpower-rand- | mgrace,-----mWhen- |
| mto-four-sears-mour- | dfa--rthers-mtold-mThe- |
| rwon--dders-dof-t,their- | ddays:----- |
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- Key
- F major
- Doh
- F
- Time
- 4/4
- Starts on
- d (F)
- Range
- t, to s (E to C, a sixth)
- Tune
- ST. FLAVIAN
- Words
- Isaac Watts
- Music
- From Day's Psalter, 1563
Melody from the Open Hymnal Project (public domain), edited by Brian J. Dumont; tune ST. FLAVIAN (From Day's Psalter, 1563); words by Isaac Watts (1674–1748). Sources and licences.
The solfa line by line
The same solfa as plain text, a line of the hymn at a time, with the words of the first verse under it — easy to copy into your own notes or a message to the choir. To print it, download the solfa as a PDF.
Doh is F · 4/4
Staff notation
The melody on the treble staff in F major, with the first verse under the notes.
The staff is drawn here when you scroll to it.
The words
Lord, we have heard thy works of old,
Thy works of power and grace,
When to our ears our fathers told
The wonders of their days:
How thou didst build thy churches here,
And make thy gospel known;
Amongst them did thine arm appear,
Thy light and glory shone.
In God they boasted all the day,
And in a cheerful throng
Did thousands meet to praise and pray,
And grace was all their song.
But now our souls are seiz'd with shame,
Confusion fills our face,
To hear the enemy blaspheme,
And fools reproach thy grace.
Yet have we not forgot our God,
Nor falsely dealt with heaven,
Nor have our steps declin'd the road
Of duty thou hast given.
Tho' dragons all around us roar
With their destructive breath,
And thine own hand has bruis'd us sore
Hard by the gates of death.
We are expos'd all day to die
As martyrs for thy cause,
As sheep for slaughter bound we lie
By sharp and bloody laws.
Awake, arise, almighty Lord,
Why sleeps thy wonted grace?
Why should we look like men abhorr'd,
Or banish'd from thy face?
Wilt thou for ever cast us off
And still neglect our cries?
For ever hide thine heavenly love
From our afflicted eyes?
Down to the dust our soul is bow'd,
And dies upon the ground;
Rise for our help, rebuke the proud,
And all their powers confound.
Redeem us from perpetual shame,
Our Saviour and our God;
We plead the honours of thy Name,
The merits of thy blood.
How to sing it from the solfa
- Find doh first. Play or hum F and sing d r m f s up from it, so the whole choir has the key in their ears before you start.
- Pitch the first note. The tune starts on d (F), on the word “Lord”, as a pickup before the first full bar.
- Count the time. 4/4 means four crotchet beats in each bar. In the grid every cell is half a crotchet: a dash (–) holds the note before it, and _ is a rest.
- Know the notes. The tune uses d r m f s t. A comma after a note (s,) is the octave below; an apostrophe (d') is the octave above.
New to solfa? Read how to read Tonic Solfa and how to find the doh of a song.
About the hymn
Isaac Watts wrote these words for The Psalms of David Imitated in the Language of the New Testament (1719): Psalm 44, headed “The church's complaint in persecution”.
Watts' psalms were printed without tunes and sung to any tune of their metre, Common Metre (8.6.8.6). This page sets the words to ST. FLAVIAN; any other Common Metre tune fits them as well.
- Words (1719): Isaac Watts (1674–1748)
- Melody (1563): From Day's Psalter, 1563
Melody from the Open Hymnal Project (public domain), edited by Brian J. Dumont; tune ST. FLAVIAN (From Day's Psalter, 1563); words by Isaac Watts (1674–1748). The Open Hymnal Project publishes this tune as public domain; NoteFusion's engine wrote the solfa from its notes. The melody has not yet been checked against a printed hymn book.
Sung to the same tune: 'Twas God Who Fixed the Rolling Spheres, "How Awful Is Thy Chastening Rod!", "Now from the Roaring Lion's Rage, "O, Not for These Alone I Pray,", "To God Be Glory! Peace on Earth!", "Yet (Saith the Lord) If David's Race, A Holy Air Is Breathing Round, A Soldier's Course, from Battles Won, Afflictions, Though They Seem Severe, Again Our Earthly Cares We Leave, All Ye That Love the Lord, Rejoice, Am I a Soldier of the Cross, Amidst Thy Wrath Remember Love, And Are We Wretches Yet Alive, Arise My Soul, My Joyful Powers, Baptized into Our Saviour's Death, Bear on, My Soul! the Bitter Cross, Behold My Servant; See Him Rise, Behold the Savior of Mankind, Behold, Where, in a Mortal Form, Beneath Our Feet and O'er Our Head, Beneath the Tyrant Satan's Yoke, Blest Are the Souls That Hear and Know, Come Let Us Lift Our Voices High, Faith, Hope, and Love, Now Dwell on Earth, Father in Heaven, to Whom Our Hearts, Father of All! in Every Age, Fear Was Within the Tossing Bark, From Every Fear and Doubt, O Lord, Give Thanks to God, Invoke His Name, Glory to God! Whose Witness-train, God Is a Spirit Just and Wise, God My Supporter and My Hope, God of My Childhood and My Youth, God of Our Mercy and Our Praise, Great Ruler of All Nature's Frame, Hail! Holy, Holy, Holy Lord, Heal Us, Emmanuel, Here We Are, Hear Me, O God, nor Hide Thy Face, How David, When by Sin Deceived, How Precious Is the Book Divine, How Sweet and Awful Is the Place, How Wond'rous Great, How Glorious Bright, I Hate the Tempter and His Charms, I Sing My Saviour's Wondrous Death, In the Soft Season of Thy Youth, Jesu, the Life, the Truth, the Way, Jesu, the Word of Mercy Give, Jesus, My Lord, I Cry to Thee, Jesus, with All Thy Saints Above, Let Zion and Her Sons Rejoice, Lo the Destroying Angel Flies, Lord Who Throughout These Forty Days, Lord, I Have Made Thy Word My Choice, Lord, in Whose Might the Saviour Trod, Lord! Thou Art Good: All Nature Shows, Lord! We Believe a Rest Remains, My God, My Everlasting Hope, My God, My Portion, and My Love, My God, What Endless Pleasures Dwell, Nay, Tell Us Not of Dangers Dire, Not All the Outward Forms on Earth, Not for the Summer's Hour Alone, Not in the Church-yard Shall He Sleep, Now Shall My Solemn Vows Be Paid, O for an Overcoming Faith, O Jesus, King Most Wonderful, O Lord, Our Languid Souls Inspire, O Thou, to Whom All Creatures Bow, O, I Shall Envy Them No More, Of Justice and of Grace I Sing, Our Country Is Immanuel's Ground, Our Fathers, Lord, to Seek a Spot, Praise Ye the Lord; on Every Height, Rejoice, Believer, in the Lord, Sing, All Ye Nations, to the Lord, Speak Gently, — It Is Better Far, Summoned My Labour to Renew, Sweet Day! So Cool, So Calm, So Bright, Sweet Is the Prayer Whose Holy Stream, Ten Thousand Talents Once I Owed, The Dead Are Like the Stars by Day, The Lord, Descending from Above, The Prophets Sons, in Time of Old, The True Messiah Now Appears, There Is a Book, Who Runs May Read, Thou Son of God, Whose Flaming Eyes, Thus I Resolv'd Before the Lord, Thy Ceaseless, Unexhausted Love, Thy Message, by the Preacher, Seal, Thy Way Is on the Deep, O Lord, Time! What an Empty Vapor 'Tis, To Our Redeemer’s Glorious Name, When Christ to Judgment Shall Descend, When Israel Was from Egypt Freed, When Peter Boasted, Soon He Fell, When the Great Judge, Supreme and Just, When the Worn Spirit Wants Repose, Whence Do Our Mournful Thoughts Arise, Why Do the Wealthy Wicked Boast, With Songs and Honors Sounding Loud, Ye Saints Exult with Cheerful Song, Ye Sons of Earth Prepare the Plow, Ye Trembling Souls, Dismiss Your Fears, Ye Wretched, Hungry, Starving Poor, Zion! the City of Our God.
Questions about Lord, We Have Heard Thy Works of Old
What is the doh of Lord, We Have Heard Thy Works of Old?
In this version, in F major, doh is F. If your choir sings it in another key, doh moves to the new key note and every solfa syllable stays the same — that is what movable doh means.
What note does Lord, We Have Heard Thy Works of Old start on?
It starts on d (F in F major), a pickup on the word “Lord” before the first full bar. Find doh first, then sing up or down to d.
Is Lord, We Have Heard Thy Works of Old in the public domain?
Yes. Isaac Watts died in 1748; the words were first published in 1719 and the music in 1563. Everyone named died before 1955 and both were published before 1929, so the hymn is out of copyright in the UK, the EU, the United States and Nigeria. Modern arrangements and translations can still be under copyright.